On your recently released Schubert album, you have combined his Sonata D 664 in A major and his Sonata D 960 in B flat major with six Ländler and six waltzes from different creative and life phases of the composer. What was the reason for this unusual selection? Firstly, I attach great importance to ensuring … Lire la suite de Natalia Ehwald: « It’s probably the song-like quality of Schubert’s music that makes it so natural to me »