Bruckner’s 9th under Païta is one of the fastest, most dramatic and eccentric on the market. What led the conductor to immerse himself in this music? AH: It’s true. I was able to see this by consulting my rather extensive collection of interpretations of this work, and I realized the obvious. This rapidity – but … Lire la suite de André Hirt: « In Bruckner’s Ninth, Païta shows, I think, a form of revolt »